Plein Air, Painting the American Landscape

In 2007, PBS aired a six-episode series entitled Plein Air, Painting the American Landscape. The series features artists Matt Smith, Kenn Backhaus, Jean LeGassick, Charles Sovek, Ron Rencher, and Frank LaLumia traveling throughout the country. Viewers will discover the roots of this uniquely American art form and why painting “en plein air” is once again at the forefront of American representational art.

DVDs are available at http://www.pleinairamerica.com/ as well as a preview of the series.

Terry Miura - Plein Air in the City and Country

Terry Miura’s artwork reflects the environment around him. While living in New York City, he captured the essence of this home in his popular cityscapes. After moving to the West Coast he continued to paint cityscapes, but found that his art had changed along with his environment. He now lives in Fair Oaks, California where he is working on a series of landscapes which explore the relationship between memory, emotions, and identity.

"Although they're still very much representational," says Miura, "they're not about specific locations. Well, actually they are, but the locations are found in the viewer's memories. Not out there in the physical world. "

You can see Terry’s paintings at http://www.terrymiura.com/

Mark Gottsegen’s Plein Air Encaustic Rig

Some people carry their plein air enthusiasm to extremes. Mark Gottsegen is a plein air encaustic painter. He even made his own portable encaustic palette which he powers by attaching it to his big yellow Metro’s auxiliary power system.

Mark Gottsegen studied painting materials with Reed Kay, and painting with Philip Guston and James Weeks. He began teaching in 1974 and has taught drawing and painting at UNC Greensboro since 1976. Professor Gottsegen has been a member of ASTM International's subcommittee on artist's materials since 1978. In 2006 he became the Co-Director of the Art Materials Information and Education Network (AMIEN), a non-profit organization that is part of the Intermuseum Conservation Association in Cleveland, OH. He is a Contributing Editor for The Artist's Magazine and the author of A Manual of Painting Materials and Techniques (Harper & Row, 1986), and The Painter's Handbook (Watson-Guptill, 1993) a complete art materials reference guide.

For the Do-It-Yourself Artist...

Looking for a project? Why not build your own pochade box…or refit an old sketch box…or put a tripod mount on a drawing board? If you have been painting plein air for a while, you may have an idea for equipment that would fit your specific needs, but is otherwise not available. Look through our Do-It-Yourself section for parts and ideas for constructing your own pochade box. More than 20 unique hardware items.

Cold Weather Paintin' alla the Northwoods River

Larry Seiler wrote a great article about his winter plein air painting adventure that he and his 9x12 Guerrilla Painter® Pochade Box took to the Northwoods River.

http://www.wetcanvas.com/Articles2/532/552/

Spence Guerin

"Spence Guerin is a contemporary artist who brings the American nineteenth-century tradition of naturalist painting convincingly into the 21st century..."
— American Academy of Arts and Letters, Academy Award in Art

NYC, May 19, 2004

http://www.spenceguerin.com/

Linda Blondheim - Experienced Plein Air Painter

Linda’s blog is chock full of useful insights. http://lindablondheimartnotes.blogspot.com/

Scotty Mitchell's Southwest Pastel Landscapes

Scotty Mitchell is an artist living in Boulder, Utah who wonderfully captures the southwest landscape with pastels.

http://www.scottymitchell.com/

The History of the Watercolorboard™

The Watercolorboard™ evolved from the frustration of buckling watercolor paper and the loss of control when pigment runs down hill as your paper starts to buckle.

I took an architectural rendering class that opened my eyes to the possibilities of watercolor: rendering in logical steps, background to foreground in controlled washes, dark to light and warm to cool. The one problem was the buckling. We were taught to stretch by soaking the paper for at least an hour, taping and stapling it to ¾ inch plywood. The paper sure seemed attached to the board, but was it stretched? Almost always, it buckled whenever the paper reached a certain saturation point, so this method seemed unreliable at best. My search for a dependable stretching method began.

Almost all methods of “stretching” really only attach the paper to the backing board. The paper is not so much “stretched” but “shrunk.” When the paper is re-soaked during a wet wash, the small amount of tension that is there is released and buckles form. I started looking for a simple way to put more tension on the paper. I finally came up with a way to put tension on the paper as it is being tightened down, so that no matter how wet the paper got again, there would always be more tension to keep it flat.

Other people got interested when they saw how my paper stayed flat as I worked with very wet washes. After being encouraged to market my idea, I decided that I wanted to make a product that I would want to buy, something that would not break or be useless if some part broke or was lost. At the time I was working as an illustrator for a large industrial design firm, so I drew from the expertise that was around me. The result is The Watercolorboard™.

By Joe Leahy (inventor)

**A unique feature of the Watercolorboard™ is the beautiful embossed edge it leaves. The frame tightens on the paper to create a clean, finished edge.

Robert Henri - Plein Air Pochade Box Painting

Robert Henri (1865 - 1929) was an accomplished American painter as well as an influential teacher. He adopted the academic technique of making rapid oil sketches, or pochades, either as preparatory studies for larger works or as informal outdoor studies. Below is a quote from his book, The Art Spirit (p. 13, Lippincott 1923), about these pochades.

“The sketch hunter has delightful days of drifting about among people, in and out of the city, going anywhere, everywhere, stopping as long as he likes – no need to reach any point, moving in any direction following the call of interests. He moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook, a box of oils with a few small panels, the fit of his pocket, or his drawing pad. Like any hunter he hits or misses. He is looking for what he loves, he tries to capture it. It’s found anywhere, everywhere. Those who are not hunters do not see these things. The hunter is learning to see and to understand – to enjoy.

There are memories of days of this sort, of wonderful drifting in and out of the crowd, of seeing and thinking. Where are the sketches that were made? Some of them are in dusty piles, some turned out to be so good they got frames, some became motives for big pictures, which were either better or worse than the sketches, but they, or rather the states of being and understandings we had at the time of doing them all, are sifting through and leaving their impress on our whole work and life.”

– Robert Henri

One Plus One charity

One Plus One is a very small public charity - 501(c)(3) - dedicated to person-to-person support of development in Latin America. One Plus One is run by Carl and Arthur Judson. Over the last 12 years Carl and Arthur have been doing volunteer work in Bolivia, Peru and Nicaragua. Their involement has included indigenous arts and crafts, cultural exchange, drinking water, irrigation, and food preservation. Judsons Art Outfitters offers products purchased in Latin America from craftspeople and purchase of these items helps in two ways - income for the makers and donations for One Plus One.

How the Wet Painting Carriers and Adapters Work Together

The Adjustable Wet Painting Carrier and Panel Adapters are designed to provide an integrated, flexible system for transporting a variety of sizes and types of wet paintings.

The Adjustable Wet Painting Carrier can hold 12 wet panels (1/8" or 1/4")or up to 4 stretched canvases, or you can carry a mixture of both. the removable dividers allow you to change from panels to stretched canvases. The adapters allow you to carry smaller panels in your Adjustable Wet Painting Carrier. The Adapters are available in many sizes and with the use of the adapters you can carry multiple sizes of panels at the same time. The Adapters are also designed to work in the lid of your Guerrilla Box™.