M.E. "Mike" Bailey - Artist

Santa Cruz artist, teacher and new president of the National Watercolor Society, M.E. "Mike" Bailey has a degree in engineering and, in spite of an early interest in art, didn't get into painting in a major way until he was 46.

He uses both watercolor and oils, and there is a list of free articles on this page of his website dealing with process, elements, intentions, creativity and other aspects of art and being an artist. There is also a beautifully illustrated page about travel journals. In addition, he posts news and demos regularly on his lively blog.

He will be offering a workshop, "Watercolor Beyond the Obvious" in North Carolina next month.

On the Watercolor Landscape page of his website, this is what he has to say about painting plein air:

"There is nothing better (or worse!) than to paint outdoors! The distractions and confronting challenges are myriad and the conditions often very uncomfortable. It is where lessons of light are learned the hard way! Frankly, few of my plein air attempts come out as ‘nice’ as a studio painting. There is, however, an urgent energy in paintings done outdoors, which is quite charming."

National Parks Artist-in-Residence Program

Artists have been part of national parks since the 1860s and 70s, when painters, photographers and writers played a vital role in documenting the spectacular landscapes of the West and convincing Congress to preserve certain places as a public trust.

Today, 29 national parks around the country participate in an Artist-In-Residence program for painters, sculptors, writers, poets, photographers, composers, performers and craft artists to live and work on site in the park. Usually, artists are expected to donate a piece of art or offer a public presentation in exchange for a place to live and work in the park for two weeks or more.

The photo above shows John B. Fairbanks (1855-1940) painting in Zion National Park in Utah.

Michael Newberry Tutorials

Painter, gallery owner, art critic and instructor Michael Newberry has posted 49 tutorials on his website, three of which are specifically about painting outdoors.

This one (which is in two segments) demonstrates his dark-to-light plein air technique. This method is helpful in three ways: "It enables the painter to work quickly (an absolute necessity for outdoor, quick painting in under an hour). This approach keeps the highlighted areas clean and bright, which solves the problem of the oils' tendency to become muddy. This technique easily merges, or groups all the shadow's colors--giving them a translucent, natural feeling."

And this one, called "Finishing Off Plein Air Paintings," shows how it's possible to use a retro-active thumbnail sketch to recallibrate the values or other elements in your painting.

He is also offering three plein air workshops in Santa Monica, Mexico and Canada this spring and summer.

Bill Cone - Pastelist at Pixar

California artist Bill Cone has worked as a commercial illustrator, a set designer for the movie Toy Story and as production designer for A Bugs Life, Toy Story 2, and Cars.

About ten years ago, he started taking pastels outdoors to study the various effects of sunlight and atmosphere. He was captivated by the qualities of natural light and color, and he continues to work in both worlds - fine art and animation. The study shown here is from a trip to the Sierras, where for the last five years he and some fellow artists have hired a cook and pack mules for a trek into the mountains.

He will be participating again this year in Sonoma Plein Air. There is a wait list for his class this July at the Sierra Nevada Field Campus (the class size is limited to 12).

"Natural light has such an extraordinary range of complexity and subtlety, that it is truly a bottomless well of inspiration for any artist that has gone outside to work. To capture even a fraction of those qualities in an image is a worthy goal."

Acadia Workshop Center, Mount Desert Island, Maine

Mount Desert Island, Maine, the second largest island on the eastern seaboard (second only to Long Island in size) is home to Acadia National Park and the Acadia Workshop Center which is offering 19 painting workshops this season, most of them working outdoors at least part of the time. There are some big names here.

Classes that involve plein air include Don Getz, Watercolor Journaling, Susan Abbott, Color in the Maine Landscape (all media), Peter Spataro, Painting the Colors of the Wind (all media), Kristy Kutch, Coastal Colored Pencil, Sheila Parsons, Watercolor, Tom Jones, Creating Atmosphere in Watercolor Landscapes, Shelli Ardizonne, Plein Air Boot Camp, Christine La Fuente, oil, Lee Boynton, August Light: Painting the Impressionist Landscape in Oil,
Armand Cabrera, Painting the Maine Landscape (oil & acrylic), Julie Houck, Painting the Dynamic Landscape; Creating Light-Filled Color (oil & pastel), Elin Pendelton, Fall Color Boot Camp (oil & acrylic), Marsha Staiger, Inside the Outside - An in-depth look at abstract from the landscape (acrylic/mixed media), Kay Kandra, Beyond Pretty Pictures (watercolor), Bob Rohm, The Maine Landscape (oil & pastel), Michael Chesley Johnson, The Maine Landscape in Pastel or Oil, and Lois Griffel, Painting the Impressionist Landscape (oil).

They have posted a helpful Student Tips page which includes pragmatic information such as, "Have reasonable expectations. You are here to learn so please come with an open mind. Do not expect to paint "masterpieces". This is a learning experience. Very often students find that what they learn in class actually takes a while to digest."

There are art materials available at the Workshop Center, and they have easels, chairs and umbrellas for rent (reservations required).

Lorie Merfeld-Batson - Artist

Award-winning plein air painter Lorie Merfeld-Batson apprenticed with nationally known artist Gerald Merfeld and then studied in Chicago at the American Academy of Art and the Palette & Chisel Academy of Fine Arts. She now lives in southern Colorado with her family, regularly painting plein air and traveling by horseback into the mountains to gather material.
She paints in oils and pastels and occasionally watercolors and finds that switching mediums keeps a freshness in her approach.

Next month she will be participating in the Nomadas Del Arte in Dallas and the Governer's Invitational Art Show in Loveland, Colorado.

Zionsville, Indiana Paint Out and Workshop

The Sullivan Munce Cultural Center in Zionsville, Indiana will be hosting its annual Plein Air Paint Out on June 19 and Workshop June 21-24. Always a sell-out, this event will offer an opportunity to study with three nationally known artists: Charles Warren Mundy, Todd Reifers and David Slonim, whose painting is shown here.

Artists will meet at the SullivanMunce Cultural Center on the first day for demonstrations and question & answer sessions. Days 2 and 3 will consist of outdoor painting with instruction. On Day 4, participants will display their work, engage in a critique with the instructors and have another question & answer session.

The registration fee of $600 members/$650 non-members includes three and a half days of instruction; lunch each day; admission to the Art in the Garden Patron Party; participation in the Zionsville Paint Out on Saturday, June 19, and entry in the Zionsville Paint Out Exhibition June 25 through July 24 at the Cultural Center.

Artists Abroad - European Painting Trips

Mary Jean Weber started organizing plein air painting vacations in 2009 after enjoying many such trips as a participant. She is planning two excursions this summer. The trip to Umbria from May 23- June 6 still has some spaces available. This is a two week, non-instructional visit to the Umbrian hill towns where excellent wine and olive oil are produced, near the historic city of Terni where art supplies are available.

"It is so much fun traveling with a group of like minded people who love to paint. You make lots of new friends and really experience the country on a deeper level when you are painting it. It is a travel experience that is truly enriching, exciting and fun. Come and join us."

Lorenzo Chavez - Advanced Indoor Landscape Concepts

In addition to graduating with honors from the Colorado Institute of Art and studying at the Art Students League of Denver, Lorenzo Chavez has taken professional workshops with some of the best: Ned Jacob, Richard Schmid, Clyde Aspevig, Michael Lynch and Skip Whitcomb.

He has been teaching plein air pastel and oil painting for fifteen years now, and next month, April 2-4, he will be offering an advanced workshop in studio concepts. These include designing from plein air studies and photos, discussions of values, edges, simplification, color and drawing as well as professional presentations and getting your work seen. This workshop is for intermediate to advanced students with previous plein air experience. It will be held at Terry Ludwig's studio just south of Denver.

Lorenzo Chavez will be offering eight other workshops between now and November in Arizona, New York, Colorado, New Mexico, Kansas City, Washington and Hawaii (see the list here).

Marc Hanson Workshops

Marc Hanson is an award-winning Minnesota plein air painter who works outdoors year round and has been teaching for twenty years. He is offering four workshops this year, in Wisconsin, Minnesota and Florida. They are open to artists working in oil and pastel. All levels are welcome, from beginner through advanced.

The basic elements of painting will be emphasized, from concept and mood to value relationships (including black & white exercises), blocking in the masses, color studies and finishing details that effectively communicate your intention to the viewer.

"My purpose is not to replicate the specific or dwell on the spectacular, as much as it is to observe the specific and to discover the beauty in the seemingly unspectacular."

Hudson River Valley Art Workshops

In the Catskill Mountain region of the Hudson River Valley, the Greenville Arms 1889 Inn is offering a diverse selection of painting workshops this season. Twelve of them involve plein air, including two "retreats" with no set program (for self-motivated people).

This page lists all the instructors. Plein air classes will be taught by Lorenzo Chavez, Alvaro Castagnet, David Dunlop, Lewis Barrett Lehrman, Betty Carr, Mel Stabin, Stanley Maltzman, Anatoly Dverin and Kenn Backhaus. Beginners are welcome, except in the Alvaro Castagnet and Kenn Backhaus workshops, which are intended for intermediate to advanced students.

Classes are limited to 20 students. The Greenville Arms has been hosting art workshops since 1982, providing comfortable lodging, delicious food, beautiful scenery, professional instructors and 24-hour studio access.

Walter Bartman - Artist and Teacher

Plein air painter Walter Bartman, an artist and teacher for close to forty years, is the founder of The Yellow Barn Studio and Gallery at Glen Echo Park, Maryland. Since 1994, it has offered classes, workshops, speakers and residencies. They also offer a free art class for high school students and bus trips to some of the best museums on the east coast.

This month, Gallery 322 in Frederick, Maryland is hosting an exhibit of Bartman's paintings. The opening reception will be tomorrow, March 6th, from 4-8 p.m.

An interview with Walter Bartman has been posted on the blog Art and Perception. In it, he talks about his methods and why they have been successful:

"Community has always been something I feel has made great movements in the arts, science or math. It was my intention from the very beginning to build a community of young artists as the future generation. I have always felt that human thought is collective. We build ideas on the thoughts of others. If you can bring a group of very creative people together in a sharing environment, they will support each other and challenge each other to go beyond the instructor’s expectations.

"The work I assigned was based on contemporary movements. I felt my students were a part of that movement and had something to add. It is funny, but looking back on the work in my classes, some of it was very profound for anyone at any age. I guess that is why my program was nationally recognized."