Paul Ferney - Artist

Paul Ferney is a Northern California oil painter who does both small plein air sketches and larger works. We're intrigued by the seemingly dry, almost powdery texture that makes some of his oils look like pastels, while others are done with a thicker, much more liquid effect.

His blog contains a huge quantity of images, including photos, value studies and sketches.

"I love that feeling when you know you're seeing something amazing...
Painting for me is a way for me to share these moments." - Paul Ferney

Estes Park Plein Air

It's time for the annual Estes Park Painting the Parks plein air event. From August 15- 28, about 60 participating artists from around the country will be painting in and around Estes Park and Rocky Mountain National Park. The public is invited to watch the artists as they work. The paintings will be exhibited and sold between August 29 and September 30.

Nashville, Tennessee artist Lori Putnam stopped by on Sunday, on her way up to Estes, to buy some panels. If her name is familiar, it might be because she's the designer of the Plein Air Porter - a safe & secure way to carry large canvases or even send them as checked luggage. She had just come from a two-week plein air event in Wyoming (she travels often, offering workshops in different parts of the world).

Escalante Canyons Art Festival / Everett Ruess Days

Everett Ruess was was 20 years old when he vanished in 1934, a lone wanderer, poet and artist who loved the Sierras and the Red Rock Country of Arizona and Utah. He was a friend of Edward Weston, Ansel Adams, Maynard Dixon and his wife Dorothea Lange. The mystery of his disappearance, the poignancy of his letters, journals and poems, and the power of his artwork have made him into a legend.

Since 2004, there has been an Art Festival in his honor near the place where he was last seen. This year it will be held from September 20-27 in Escalante, Utah. Events include a plein air paint-out, a fine arts and crafts exhibit and sale, lectures, poetry and discussions about Everett Ruess, exhibits, workshops, gallery open houses, walking tours of nearby historic buildings, and performances by cowboy poets, dance groups and musicians.

There will be an all-day free workshop on Wednesday, September 23rd with several professional painters demonstrating throughout the day. A four-day workshop with Linda Feltner from September 26-29 will also be offered ($780).

W.L. Rusho's book Everett Ruess: A Vagabond for Beauty explores his life and the mysteries surrounding him. Recently, his body was found and a story has been revealed about how he was murdered (with robbery as the motive, which seems a terrible shame, given the small value of his possessions and the huge value of his potential as an artist).

"I prefer the saddle to the streetcar and star-sprinkled sky to a roof, the obscure and difficult trail, leading into the unknown, to any paved highway, and the deep peace of the wild to the discontent bread by cities. . . it is enough that i am surrounded by beauty."
- Everett Ruess

Ian Frazier Sketchbook Slideshow

Here is a link to an audio slideshow of writer Ian Frazier's sketches from a trip through Siberia. He's written a two-part article about his travels for the New Yorker. This sketch shows the power poles for the trans-Siberia railroad, which is run on electricity.

When you're traveling, sitting down for awhile to paint or sketch plein air is probably the best way to make sure you really see what you came so far to experience.

pleinairartists.ning.com

There is a relatively new social network site whose address is ning.com. It is designed for people to create their own site around their particular interest, and (so far) it has three plein air groups. One is by invitation only (Lower Hudson Valley Plein Air Painters) and the other two are open. The larger of these is called Plein Air Artists and has 637 members, with a page for photos (5,442 so far), videos (40), events (69), blogs (104), groups (24), a forum (42) as well as your own page and a chatroom.

The other group is Austin Artists which has 39 members including painters, sculptors, other fine artists in & around Austin, Texas.

Gertrude Hudson

A while back, we mentioned the second annual The River Rocks plein air event in downtown Idaho Falls. Gertrude Hudson, who lives in Idaho, was the winner of a ThumBox that we donated for the event. The link shows several of her plein air paintings. A link from that page shows her in 1950 as a second-year art student, painting a wildlife mural in Heritage Hall on the campus of the Southern Alberta Institute of Technology (SAIT), Calgary, Alberta, and in 2005 painting a companion wildflower mural.

"The life out there stirs renewed life within me and brings out energy I often don't realize I have." - Gertrude Hudson

Gesso - Traditional and Acrylic

Gesso (which is Italian for "gypsum" or chalk) comes in two kinds - acrylic and traditional - depending on the binder used. In Europe, the word gesso is reserved for animal-glue mixtures, while the modern product is called "acrylic polymer primer." This acrylic "gesso" doesn't create a chemical bond with oil paint, but a mechanical bond is formed if the proportions of acrylic and chalk are correct. It's helpful to wipe acrylic-primed canvas with a damp cloth to remove any residual surfactant from the surface (and let it dry) before applying paint. Acrylic gesso creates a flexible surface suitable for paintings on stretched canvas.

Traditional gesso offers a unique surface which is both smooth and absorbent. It is inflexible when dry, and this makes it an appropriate foundation for oil paint, which also becomes hard and brittle when dry. It's possible to use it on stretched canvas, but only if the canvas is subsequently mounted on a rigid panel. When painting outdoors, it's usually easier to paint directly on panels, which are sturdier and more compact than stretched canvas.

There are recipes for homemade gesso, but to make it easier and to avoid problems caused by inexact proportions, Gamblin's Traditional Gesso is what we recommend.

Stephen Quiller - Artist

Earlier this week, we visited friends in Creede, Colorado, a picturesque, out-of-the-way, high-altitude silver boom town where Stephen Quiller has lived and painted outdoors for more than thirty years. He works in watercolor, gouache and acrylic and has authored or co-authored seven Watson-Guptill books on the subject of watermedia.

Regarding their place in history, he says, "We have a great tradition, heritage, and history in our water media world. We are where we are today because of past well-known painters such as James William Millard Turner, William Blake, Winslow Homer, John Singer Sargent, John Marin and Charles Burchfield, among many others. They continually tested and pushed the limits of watercolor and gouache. I know that if acrylic and casein were available during their time they would have explored these media as well. These artists realized that the expression was of utmost importance, and the media were there to serve the expression. They chose to work in the water media because of the unsurpassed beauty and spiritual qualities, and the spontaneity and immediacy the mediums offer. It also took courage to work in water media, much as it does today. Many galleries choose not to show works on paper for a host of reasons: glass, reflections, shipping, pricing in contrast to oils, and the cost of framing. However, the masters kept returning to, and spent much of their lives devoted to, water media."

We would add that, whatever other difficulties it might present, watercolor is by far the quickest and easiest medium for the plein air painter to carry around. If you run out of water, you can find more at the nearest drinking fountain, rest room or creek.

Camille Przewodek - Plein Air Colorist

Camille Przewodek studied with Henry Hensche, who taught the Impressionist use of color, that "every plane change is a color change." Instead of the old masters' way of creating an image by drawing, using perspective and shading and then using glazes to suggest color, Impressionism looks only at the way colors interact with each other and with light to create the shapes and perspective that we see. Painting plein air is the only way to learn to use color in this way, and mixing colors directly on the panel instead of on the palette is the only way to see them in context as you work. Camille blocks in the basic shapes, making sure to have the color notes correct before adding details. Using a palette knife also helps in keeping the colors true and avoiding too much detail.

Spike Ress Watercolor Video

Spike Ress has posted a video of his process as he paints a watercolor - what fun to see it all come together. Sometimes watercolor can go fast (if you know what you're doing).

He paints in both watercolor and oils. "In recent years I have returned to painting in oil on location. However, I continue to work
in both media. I’ve used watercolor most of my life because it’s a friendly medium for the traveling
artist. It’s lightweight, fast drying, and lends itself to capturing a direct impression. I now find that
working in both watercolor and oil serves to heighten my skills in both media."

Plein Air in the Palouse - Workshop

The Palouse is an area of rolling prairie hills and farmland in eastern Washington State. This was where Appaloosa breed of horse was developed by the Nez Perce tribe.

Each Saturday between September 12th and October 31st, Kathleen Cavender will be hosting a plein air workshop there (weather permitting). After an optional 8:00 A.M. breakfast, participants will carpool to a predetermined destination around 9:00. Kathleen will give a one-hour demonstration, and then people will set up to paint while she answers questions & gives further instruction. Each session will last until about 3:00 P.M. Each Saturday is on a first come/first served basis, or you can sign up for the whole series. There is a minimum of six and a maximum of ten people required for each session, and all skill levels are welcome. The cost is $50, which includes your panel or canvas. For further information, send an email to kathleen@kathleencavender.com.

Teresa Vito - Artist

Teresa Vito loves to paint from life, whether it's a still life, a figure or a landscape. She was fortunate to study with several good teachers, including Ramon Kelly, Quang Ho, Doug Dawson, Bruce Cody, and Richard Schmidt (with whom she painted for 5 years). She has also taken workshops from Clyde Aspevig, Ray Vinella, Greg McHuron and Laura Robb. She returns the favor by teaching classes herself, both at the Loveland Art Academy near her home and in France.

"Painting for me, brings the wonders of life into visual form. When I am painting, the subject comes to life as I receive the energy of it's beauty and harmony." - Teresa Vito