Charles Fritz - An Artist with Lewis & Clark

An exhibit entitled "An Artist with the Corps of Discovery" is on display through August 30th at The Buffalo Bill Historic Center in Cody, Wyoming.

Although Lewis & Clark made maps and recorded plenty of scientific data, they didn't have an artist along with them. To celebrate the bicentennial of the Lewis & Clark expedition, plein-air painter Charles Fritz visited the sites that were recorded in their journal. His paintings were done at the same time of year as when the expedition was at the location, and each one is accompanied by a journal entry. The scene above shows Captain Lewis at the Great Falls of the Missouri, and the journal entry reads, "I wished for the pencil of Salvator Rosa or the pen of Thompson, that I might be enabled to give to the enlightened world some just idea of this truly magnificent and sublimely grand object..." – Captain Meriwether Lewis, June 13, 1805

Charles Fritz has been a professional painter for thirty years. He lives in Billings, Montana.

Jane Shuss - Artist

Jane Shuss is unusual in that she not only paints in both oils and watercolors, but she is a sculptor as well.

I'm happiest when I'm out in the field with all the elements focusing on a small piece of a beautiful landscape, out comes the juicy paint, the rather small canvas, the turps, paper towels, brushes, and hat. Suddenly everything around me disappears. In that two to three hour segment, I peer, squint, and search, the excitement builds as I see and relate the nuances of mother nature. Then I'm off to another locale as the sun has changed its effect to begin anew this most enjoyable passion we artists are so fortunate to engage in. ~ Jane Shuss

Jane Shuss studied with Sergei Bongart (1918-1985), who was the youngest pupil to be accepted at the Academy of Art in Kiev. He emphasized the way colors (and values) related to each other, like a chord in music. We're not trying to capture the colors of nature so much as to exaggerate, to "make color sing, ring like a bell."

Artists for Conservation

Artists for Conservation is a non-profit, juried association of artists dedicated to wildlife and habitat conservation, biodiversity, sustainability and environmental education through art.

The 500 members participate in benefit sales, sponsored expeditions, an advertising program, awards, a newswire and an events calendar in order to raise both money and awareness.

Shown above is a watercolor sketch done by Alison Nicholls during a sponsored expidition in Zimbabwe to study the endangered Painted Dogs, a genus separate from wolves, dogs, hyenas or jackals. Alison lives in New York and regularly travels to Africa. Regarding her process when creating paintings from sketches, she says, "I find I need to be out of the studio so I can clear my mind of any distracting images. I must admit that it can be quite bizarre walking in a snow covered park in New York while in my mind’s eye I see elephants taking an evening drink from the Chobe river!"

In addition to various locations in Africa, AFC has sponsored expiditions in Bhutan, Siberia, Mongolia, northern Canada, Panama and along the headwaters of the Ganges River.

Plein Air Painters of the Four Corners

The Plein Air Painters of the Four Corners is an organization devoted to furthering both the artists who belong to it and the area where they paint - the high desert and mountain country where four states intersect (Colorado, Utah, Arizona and New Mexico). They have paint-outs scheduled for every month of the year.

Included in this region are Canyon de Chelly National Monument, Hovenweep National Monument, Mesa Verde National Park and Monument Valley.

They're currently having a Plein Air Painting Show at the Anasazi Heritage Center, Dolores, Colorado, from July 1 through September 7.

An opening reception and paintout (weather permitting) will take place at the museum on July 12 from 2:00 p.m. to 4:00 p.m. This will be a juried event, with a "Best of Show" award given at the reception. The paintings on exhibit will be offered for sale, proceeds benefiting both the artists and the nonprofit Canyonlands Natural History Association.

Sven Birger Sandzen (1871-1954)

Visiting my parents in Denver last week, I happened to see an article in the Post about a two-day exhibit at David Cook Fine Art of Swedish-American painter (and Renaissance man) Sven Birger Sandzen, who spent much time in the western U.S., including Rocky Mountain National Park, Yellowstone, the cliff dwellings of Mesa Verde, the Grand Canyon, Bryce & Zion in Utah and Taos & Santa Fe in New Mexico.

As a student of the renowned painter Anders Zorn in Stockholm at age 20, Sandzen wrote to his parents, "Zorn stood looking over my shoulder for about twenty minutes when I started painting...he said: 'Now we will see how most easily we can get a simple, natural, and beautiful result in this painting. What colors will Mr. Sandzen select? Sienna, ochre, white. Fine, go ahead now, broadly and vigorously without being afraid. If one is afraid and doesn't press on, one will never see what the mistakes are.' I was numb with amazement. Soon a light appeared indicating to me how one shall use color - simply, strongly, truthfully." This sense of color would later serve him well when he came out west.








He later studied in Paris and was influenced by Impressionism, Pointillism and Post-impressionist color theory.

Sandzen came to the United States in 1894 to teach at Bethany College in the Swedish settlement town of Lindsborg, Kansas. He learned English there and taught French, Swedish, German, music and choir in addition to art and art history. He lived there for the rest of his life, although he traveled widely and received offers to join the faculty of well-known art schools and universities. The Birger Sandzen Memorial Gallery was established in Lindsborg as an educational resource and a tribute to him.

The works that we saw in Denver were a wide selection from public and private sources, a combination of watercolor, oil, lithographs and block prints, including pointillistic woodblocks made with nails. Shown here are a watercolor (top) an oil (above) and a lithograph.


~ Sarah Judson


References:
Lindquist, Emory, Birger Sandzen, An Illustrated Biography, The Birger Sandzen Memorial Foundation, 1993
MacMillan, Kyle, Swedish artist who captured state..., The Denver Post, Friday June 19, 2009

Molly Lipsher - Artist

Molly Lipsher has been painting for more than twenty years. She works in pastel when she's painting outdoors, because it's faster than having to mix colors in paint, and you don't have to worry about them changing in value as they dry. She uses a variety of brands, including Schmincke, Terry Ludwig, Unison and Rembrandt; and prefers Kitty Wallis paper, which is heavy, sanded archival paper.

Her paintings have an abstract, high-chroma quality, but when you see them from a distance, you realize how accurate they are to the light conditions and the perspective of the scenes.

She teaches in private workshops and at the La Jolla Athenaeum School of Art, and she also writes award-winning poetry.

"I believe places have a perceptible soul, imbued by layer upon layer of cultural, physical and historical impact. These aspects of place converge with the more temporal elements of light, location and time to capture my imagination. I attempt to interpret this “soul”, the layering of elements that makes each place and moment unique, however unattainable and impossible to duplicate in art."
~ Molly Lipsher

Glen Eyrie Paint Out - Success

Last month I went down to Colorado Springs to be a part of the first annual Glen Eyrie Paint Out. It was a perfect weekend for it – the weather couldn’t have been any nicer and Glen Eyrie had no shortage of inspiring views.

There were about 40 artists in attendance and plenty of space to spread out - everyone found something different to paint. On Saturday the artists attended workshops and spent the afternoon painting. (The following day I got to see a picture of a bear that had wandered in that afternoon to investigate.)


Sunday morning, the artists got straight to painting and enjoying the day. A herd of big horn sheep kept running through the grounds too, which made for some added excitement.

Here are some pictures of the castle and of me talking with North Carolina artist Dan Nelson. Local artist Skip Whitcomb was the juror for the works produced that day. He offered up this advice: Plein air painting is much too serious work for us to take it too seriously.

The paint out was so much fun to be a part of and I want to thank all of the folks at Glen Eyrie and all of the artists, namely Gary Bradley and Skip Whitcomb for making it a big success. I can’t wait to see everyone again next year.

~ Alicia

Hillsboro, Oregon: Outdoor Painting Event

Here is one of the tableaux vivants ("living pictures," historically correct scenes from the early 1900’s to the 1920’s) that will be available, along with the sights of Main Street and the Saturday Market, for artists who participate in Hillsboro Plein Air on Saturday, July 18th. Hosted by the Walters Cultural Arts Center, the event will run from 9am to 2pm, with tableau vivant presentations from 10am to 1pm. Registration and check-in begins at 9am on the 18th. Pre-registration is suggested and artists can call the Walters Cultural Arts Center at 503-615-3485 to register. The cost is $15.00.

There will be a catered reception and awards ceremony at approximately 2:00 pm in the Arts Center lobby for the artists and interested members of the public. Awards and door prizes for artists will be announced at approximately 2:30 PM. The reception will include musical entertainment for all visitors to enjoy. Participating artists are invited to leave their works to be exhibited at the Walters Arts Center during the month of August.

Artist and paint expert Robert Gamblin will judge the competition. The founder of Gamblin Artists Colors in Portland, Oregon, he has developed painting mediums without turpentine, which is toxic, using instead odorless mineral spirits and alkyd resin.

The Arts Center is conveniently located just two blocks off the MAX Blue line at 527 East Main Street in Hillsboro, Oregon 97123.

Another Glowing Testimonial

Janet Kingan sent us this e-mail today:

"Hi, I just wanted to tell you how crazy I am about my 9 x 12 Guerilla Box!! I took it to Ireland with me and painted every day. It was fast and easy to set up, and to travel with. I was especially pleased with the covered palette tray. Best money I ever spent on my painting!!"

Glad you enjoyed your trip, and your box, Janet! Thanks so much.

We love to hear from our customers, whether it's a compliment like this, a request for technical assistance, a complaint or a suggestion. We value your input.

Michael Ome Untiedt - Artist

We met Michael Untiedt in 2004 when he was doing a painting demo in the Plein Air Magazine booth at a trade show in Denver. His website has lots of pages. In addition to his paintings (domestic and foreign) there is a newsletter of stories called the Right Brain Express and a critique page for other painters (one of the criteria listed is "If I were an art thief, would I take the risk of stealing this piece?"). There is also a page that explores his work for the Jefferson County Open Space Art Project west of Denver.

Bob Dylan - Plein Air Artist

Okay, it might be a stretch to call him a plein air artist. Most of these were done indoors, but the drawings were all done on-the-spot.

Bob Dylan has been drawing & painting since at least the seventies when he took lessons in New York City from Norman Raeben, son of the noted Yiddish writer Sholem Aleichem.

He recently assembled an exhibit of prints based on drawings he'd done between 1989-1992 while on tour in Europe, America and Asia. The drawings were digitally enlarged on deckle-edged Hahnemühle Museum Etching or Innova Soft Texture paper. Dylan then painted them with watercolor and gouache, sometimes doing alternate versions of the same drawing, using different colors to change the emphasis or mood. The series, called Drawn Blank like the book it is based on, has been on tour for the past two years.

Paul Kratter - Artist

Bay Area artist Paul Kratter is another graphic artist who turned to plein-air painting for inspiration after a career in illustration.

"My style changed almost overnight, although my approach remained intact, utilizing solid drawing skills and portraying strong graphic shapes. Painting outdoors has become a passion. I continue to participate in a number of plein air events annually in California. Each has its own unique topography, light and challenges, which forces me to keep my work fresh and loose.

The first impression I try to capture is a strong composition. I look to simplify the scene by making bold, graphic shapes. The light and athmosphere are ever changing, and I want to quickly establish a color script. One of the first things I determine is what is going to change the quickest. This is the key area to capture and determine the feel of the painting." - Paul Kratter